Showing posts with label Ten Reasons. Show all posts
Showing posts with label Ten Reasons. Show all posts

Tuesday, December 27, 2022

Ten Reasons: Why THE INVITATION (2022) is not that bad…


The Invitation, not to be confused with the very good 2015 film of the same name, is a new take on the old tropes of the Dracula story.  

Several years ago, in the era of True Blood, I couldn’t get enough of vampires…and believe me, they were everywhere—books, movies, television. But like all things presented to us in excess, I grew weary of fanged frights.  


But along comes a new film that upon seeing the trailer catches my eye with all its gothic glory. And so I had to take a look. 


Critically panned, The Invitation doesn’t offer anything particularly new to the sub-genre, with uninspiring dialogue and our lead character making one bad decision after another…but I’ve managed to find ten things that make the film salvageable. Here goes: 



1) “New Carfax Abbey”

More on the use of names from Stoker’s Dracula later. But let’s be serious, can we just talk about this location because it is…simply put…amazing.

Nadasdy Mansion in Nadasdladany, Hungary is not only an astoundingly beautiful estate, but has ties to Elizabeth Bathory (which if you are unfamiliar with that name I suggest a google that will lead you down a bloody rabbit hole). The fact that this movie was filmed in Hungary lends quite a bit of realism to a new take on an age-old story based in the quiet creepiness of Eastern Europe. 


2) The score. 

Dara Taylor is a composer I knew nothing about and didn’t learn a whole lot after googling.  But her intriguing score is part of what drew me to the film in the first place. Much of the music is in a minor key, as one would expect, and there are many unsettling cues—perfect for a dark and foreboding tale.  Eerie female vocals and ominous synthesized themes really do elevate from being ordinary. 



3) Nathalie Emmanuel, as our protagonist Evie, is someone else I was unfamiliar with, and at first glance I thought I was looking at Meghan Markle. Besides being beautiful, she was actually quite believable as a poor catering waitress trying to make it in NYC.  Though as previously mentioned, she makes exceedingly bad choices, she is an ass-kicker at heart. 



4) While we are discussing casting choices, I do have to say Thomas Doherty as a Walter “Lord of the manor” De Ville, does reek modern vampire deliciousness. He very much feels like the lead in a new CW supernatural show, with tangible finesse and suitable charisma.  Any woman thrown in a gorgeous gothic mansion owned by this guy would be sure to throw all logic aside with one wink of those mesmerizing blue eyes. 


5) The homages to the original Dracula legend, particularly with names, seem obvious but are still fun. Carfax Abbey, Lucy, and Mina and Jonathan Harker are all mentioned here, and the “three brides” is a direct reference to Dracula having three devoted brides.  We learn right away that the mansion is named New Carfax Abbey, so it’s not really a secret where the story is going. 



6) The house. 

As previously mentioned, the mansion is a stunning estate just from the outside alone. But the inside is just gorgeous, with dark wood everywhere—and with all the rooms one can imagine a house of this size would have, including a library which is unfortunately only shown in darkness or by candlelight. There are statues and grandiose art all over, including dragons (as in “son of the dragon” aka Dracula). Antiques abound, and the grounds are as beautiful as the inside. Definite eye candy. 


7) Set design. 

What the designers did with the house needs its own mention, as it drips with class and wealth. Ornate architecture is shown off in mirrors and doorways and rooms filled with period furniture and tapestries, rugs and draperies, all very lush and inviting. Even the attention to detail of how a room is lit was so impressive. So that things lurking in the corner would be seen only if they are meant to be seen. 

Shout out to the amazing costumes as well.



8) The romance. 

Okay here’s where I might lose your interest but wait… while I am a huge fan of scary vampires like the ones from Salem’s Lot and 30 Days of Night, I do believe the vampire lends its history to a romantic side as well, with all the various legends of vampires taking human form and coercing a beautiful young lady to succumb to their every whim. And despite Evie being utterly foolish for not seeing the boatload of clues alluding to the secrets that are so very obvious to the rest of us, it always hits a girl right in the heart to see someone being swept off their feet in a whirlwind romance. If only he wasn’t out for blood. Literally. 



9) The rehearsal dinner. 

In which all is explained and all is certainly revealed. Amongst a feast of epic proportions in which guests are wearing masks and there is enough food to feed the whole of the armed services. A smorgasbord of food and truths. 



10) The bloodletting. 

This is, after all, a vampire film. We wait quite a bit for any real bloody gore, and it probably does seem tame up until nearly the end when there is finally THAT SCENE in which we are treated to a visual explanation of just what’s going on. And the blood continues from there. 





 

Friday, December 9, 2022

TEN REASONS: Why I Love Black Christmas



We’re starting a new feature here on Fascination with Fear called Ten Reasons. Not necessarily a countdown, just ten reasons…..to watch something, to love something….or even to dislike!  

I’m starting with perhaps my favorite Christmas horror, 1974’s Black Christmas. Please note there are spoilers within this post—so if you haven’t seen the film (and if you haven’t, get on that!) you may want to wait until you have! 

{I still find it crazy that the same director was behind both Black Christmas and one of the most popular family holiday films, A Christmas Story. What range!}


Anyway—-here’s ten reasons I LOVE Black Christmas! 🖤🎄



  1. Barb.  Foul-mouthed, crass, and perpetual drunk Barb is one of the best if not the best character in the film. She has several great moments, with the “fellatio” discussion with the clueless cop and the turtles having sex for three days straight speech being the stand-outs.  She knows she’s ignorant and uses that to her every advantage. But we see she does have a heart….when her mom ditches her on Christmas to spend the holiday with some guy, we know Barb’s feelings are hurt—but she quickly brushes it off with more humor.  The late great Margot Kidder exceeds expectations and elevates the fun here. 

  2. Mrs Mac.  Housemother of the sorority house, she’s a closet drinker with a loud personality.  With booze hid in places like the toilet tank and a book with a bottle size cut out inside, she’s both covert as well as resourceful. It’s clear she loves the girls and pretty much lets them get away with murder…whoops, poor choice of words! 

  3. Chris Hayden.  Chris is the boyfriend of Clare Harrison, our first victim. While she sits, dead, in a rocking chair in the attic, Chris leads the stampede to find her. When the cops don’t take her disappearance seriously Chris stomps angrily into the police station and demands something be done. In his fur coat and sporting movie star hair, Chris is a good looking and obviously caring boyfriend who is present for all aspects of the search. 

  4. Pi Kappa Sigma. That house! With its big rooms and gorgeous woodwork, it’s a star in and of itself. With the roaring fireplace as a backdrop for all the festivities of the house, holiday decorations abound while half the girls get toasted and the other half listen to lewd phone calls. And its pleasing Christmas lights on the outside make it the perfect setting for murder and mayhem. 

  5. Inventive kills. This is not your average slasher flick.  First of all, it pre-dates 1978’s Halloween, so it could be considered the OG slasher (if you’re not counting Norman Bates!) Secondly, there’s none of that just going around slashing folks with a knife! This killer uses suffocation by plastic bag, a crane hook (which was in the attic for some reason), a crystal unicorn figurine…truly imaginative. 

  6. The phone calls. Doubtful that any film has more ringing phones than this one—except the similar storyline of When A Stranger Calls (1979).  But what sets this one apart is the vulgarity. They hold nothing back in this script, using all manner of indecent and foul language. It’s so dirty it’s almost laughable, if it weren’t coming from someone so perverse. 

  7. Creepy-ass Peter.  Poor Jess. Her neurotic boyfriend is one weird son of a bitch. He is quite deluded and apparently thinks he can control Jess’s decision whether or not to get an abortion. He tries to say she can’t do that, but I assure you buddy, she can.  He has a whole future planned out for them that Jess has no desire to be a part of. When he fails to perform well at his classical piano audition, soon thereafter he utterly trashes the grand piano. This leaves us (the movie  audience) wondering if Peter may be the killer. He’s kind of fun to watch become more and more unhinged. 

  8. The police station.  Oh man, there is a scene at the police station that when I think about it, I can still get a good chuckle. Barb convinces Sergeant Nash that the new phone number at the sorority house is “fellatio” 20880.  The clueless cop even has her spell it.  Funniest of all are the other cops reactions when he tells them about the new exchange. The one cop’s laughter can set anyone off in a fit of giggles. We also need to praise the movie gods for placing John Saxon (in a similar role as his Nightmare on Elm St character) in this film. 

  9. Jess.  Olivia Hussey is great as the main protagonist in Black Christmas. She takes most of the calls from “The Moaner”.  Good hearted and kind, Jess seems to be the heart of the sorority, and much of the focus is on how she deals not only with the obscene caller but with the situation with her bonkers boyfriend once he finds out she wants to have an abortion. She sticks to her guns even though she knows Peter is essentially threatening her. She breaks up with him, searches for Clare and a local high school girl who is lost, helps Barb with an asthma attack, keeps the killer on the phone so they can trace the call, settles roomie Phyl when she becomes terrified, and is pretty good with a fire poker in a pinch.  A role model for sure. 

  10. Billy/The Prowler— From the moment we see the killer climbing the rose trellis to the attic of the sorority house, we know this jackass is off his rocker. Those phone calls!! Flagrant profanity and disgusting innuendoes! And the killing, when it starts, is cold hearted and seemingly random.  Add to that the fact that he continues to talk about Billy and Agnes—who are still unknown to us at movie’s end. We never find out his reasoning for being a psychopath. And that’s truly the scariest part of the whole film. 
*Black Christmas poster art by Gary Pullin 🖤🎄