Getting right to the point, Cheng Lai-sheung (Josie Ho, also one of the film's producers) is a Hong Kong resident working two jobs to make ends meet and to save enough to buy a condo in a prime location by the harbor. The tale is told in flashbacks that go back and forth but not so much as to confuse the viewer.
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We've all wanted something. Whether it is a car, a house, or just the latest Tarantino on DVD or tall non-fat mocha. But few of us would ever go to such extremes to make something our own.
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While Cheng's friends are out partying, spending money, and getting laid, Cheng is saving every ounce of money she brings in working two jobs, squirreling it away to put a down-payment on a fantastic and truly out-of-her-reach waterfront condo. We are shown in flashbacks her younger years and the struggles she's been through to get to this point. As a child, she was forced to share close quarters with her brother and less-than-fortunate family, watch as the government evicts good neighbors from their rat-infested quarters, and be dealt an unfair hand in life. As mentioned, she now works two jobs and has no social life at all, just to attain her far-reaching dream. Her father is ill and needs an operation, and even her rat-fink married lover won't help her by giving her some cash to help her afford his medical care. (Of course that only goes to show us how selfish Cheng really is: if her father was that gravely ill, why would she not use some of her savings to pay for his surgery?)
The problem is, she is SO determined to have said swanky place that she resorts to murderous rampages, taking out any and all comers that interfere with her plans of ownership. And here's where the gore-hounds will relish this film. There is so much body fluid expelled in this movie that it is inexplicable how it ever got the okay to be produced. Blood spews from slit throats and stabbed wounds like the mighty Mississippi. And as if the red stuff isn't enough, there is vomit (which I hate and is almost intolerable here). Lots of vomit. And there's sex. I don't think I need to elaborate there.
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Here's the thing. Truthfully, I am in love with this film. I'm not saying it's the next best thing since sliced bread. I am saying as someone who appreciates both gore and substance, it rocked my boat. This film is fucking nuts. But in a good way. It's a balls to the wall exploitative gore-fest by every stretch of the imagination. But the acting is good, the plot is relevant and current, and despite the sometimes confusing flashbacks, it moves along at a rapid pace.
And you seriously have to see the death-by-vacuum scene.
3 comments:
I'm with you: I absolutely loved this film. Such a unique take on the good ol' fashion slasher format. The mixed time frame was pulled off well, the performances were great, and the end was pitch perfect. Best of all, I found it really FUNNY. One of my favorite films of last year.
It WAS funny! In a morbid, death-by-bed sort of way! Some very unique death scenes, to be sure.
Obviously others thought so too, as I waited forever for this one on Netflix!
Josie Ho was simply awe-inspiring in this!
Thats a cute picture of the guys guts on the floor.
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