~by Marie Robinson
Writer/director Sean Hogan’s latest work, The Devil’s Business,
introduces us to a hit man and his rookie accomplice. Mr. Pinner (Billy
Clarke) and Cully (Jack Gordon), respectively, are sent by their boss,
Bruno (Harry Miller), to carry out what is supposed to be a quick and
easy job. They are to wait inside their target’s home until he gets home
from the opera, and then quickly and quietly execute him. While Mr.
Pinner is seasoned in his art, and insists on a cold and serious manner,
Cully is on his first gig. He is impatient and childish, complaining of
boredom as mere minutes tick by.
Mr. Pinner obliges the boy with
a ghost story—a personal tale of an old job that came back to haunt
him—until they are startled by a sound outside. Thinking that their
target, Kist (Jonathan Hansler), has arrived home early. In their search
they stumbled upon disturbing evidence of occult activity. Their
horrifying discovery proves to be too much for young Cully who pleads
for Mr. Pinner to give him a break. Pinner sympathizes, and agrees to do
the rest of the job alone, but before the two of them can put it all
behind them they have many more demons to face.
Fangoria
appropriately describes The Devil’s Business as an “intimate chiller”;
with only two characters and one setting you get the opportunity to get
to know Pinner and Cully. Clarke and Gordon generate an incredible
chemistry on screen and because of this the script flows naturally from
their mouths.
As Pinner becomes a mentor and confidant to Cully, they
develop a sort of father and son relationship, which adds another layer
of intimacy to the film. Hansler and Miller are the only other two
speaking actors in the film (Mark Sealy appears in the final scene) and
they carry their small parts impressively well; I particularly fell in
love with Jonathan Hansler and his deliciously sinister performance. He
was also in the Fangoria produced Axed (2011), which I have yet to see.
While
The Devil’s Business’ foundation is laid with simple and classic
story lines—such as Faust, which is directly referenced in the film—it is
dressed up with unique details that make for a gripping watch.
While
the film was originally released in 2011, it has just found an American
distributor, Mondo Macabro, who is putting The Devil’s Business on
shelves in October. It is parts crime drama, ghost story, and occult
thriller so if enjoy any of those genres, or appreciate a well-made,
thought-provoking film, then by all means keep an eye out for this one.
P.S.
There are a TON of great alternative posters for the film. It was
really hard for me to pick one to put up, so I highly suggest Googling
it to check them out! I’m a sucker for good poster art!
No comments:
Post a Comment