FEMALE CENOBITE Clive Barker has created a lot of freaky creatures, and the Cenobites must be up there with the freakiest. They are a race of people dedicated to finding the limits of pleasure. This happens to coincide with great amount of pain, and usually the humans who call upon them to experience a higher plane of ecstasy aren't prepared for what they receive. In Hellraiser we meet a crew of Cenobites that includes the one and only Pinhead, Butterball, a chattering Cenobite, and one we know only as the Female Cenobite. Really, besides the fact that she is billed as being a woman, the only other clue we have is this vulva-like skin display on her neck. With her husky voice and pale, hairless skin, she will tear your soul apart. |
7 comments:
One of the creepy women who stuck with me (though not a ghost or ghoul)is the housekeeper from the 1963 version of The Haunting. The dead eyes, the snide joy in creepy out the main characters really set my skin to creeping!
Awesome, thanks for sharing and reading!!
I think this is a great list! It's an excellent mix of the less obvious female characters, the ones that tend to get skipped over. I can really appreciate it, especially since you mentioned Zelda; and let me tell you, she is the character that sticks out in my mind more than anyone. I feel like I need to stretch out my spine just thinking about her.
Great list. I really have to mention Mary Shaw from Dead Silence, though. That smile.... I couldn't sleep with the lights off for months.
Ah, good one, Michella!!
Zelda, zombie Linda and the medium of Black Sabbath has always scared me too, t turned to look, at small age! The cenobite is more fascinating than frightening!
You know that the face of dead woman of I tre volti della paura was a mask creatat by Bava's father, Eugenio, SE creator the early years of cinema?
We also add the resurrected Sara of Suspiria!
I'm glad you agree!! I did not know that fun fact about Black Sabbath, thank you so much. Suspiria is my favorite Italian horror!! Thanks so much for reading.
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